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Chatsky’s life ideals in the comedy “Woe from Wit” by Griboyedov. Essay on the topic: The life ideals of Famusov’s society in the comedy Woe from Wit Griboedov What are the life ideals of Famusov

Lesson topic: “Analysis of the second act of a comedy.”

Lesson objectives: analyze act II of the comedy; determine the origin of the conflict; develop the ability to analyze a monologue; cultivate philanthropy, integrity, and self-demandingness.

During the classes.

  1. I. Repetition. Checking homework.

What events does the comedy begin with?

How do the heroes behave before Chatsky appears?

(Everyone lies to try to hide something.)

Remember what exposition is in a dramatic work?

(Exposition - events occurring in a work before the action begins.)

Why do you think A. S. Griboyedov has such a large exposition in the comedy “Woe from Wit”, almost the entire 1st act?

(It is important for the writer to show the atmosphere in Famusov’s house, the peculiarities of relationships in the family.)

What are these relationships?

  1. II. Analysis of the conflict and the main stages of development of action in comedy

A. S. Griboyedov “Woe from Wit.”

What is conflict in a dramatic work?

(Conflict is a clash of contradictions, the driving force of action in a work.)

What was the conflict in the traditional drama of classicism?

(Love conflict.),

Is there a love conflict in A. S. Griboyedov’s comedy “Woe from Wit”? (Yes.)

Who are the main characters in the comedy love conflict? (Sofia, Molchalin, Chatsky.)

Determine when a love conflict begins?

(The beginning of the conflict: Sophia’s words to Chatsky’s unflattering review of Molchalin (“Not a snake man”)

Is love conflict the main one? driving force comedy

A. S. Griboyedov “Woe from Wit”? Why?

(The love conflict in “Woe from Wit” is not the main one, since the goal of writing a comedy, which A.S. Griboedov set for himself, was not just to show the nature of the characters’ love relationships, but to reveal the morals of contemporary Moscow, to show the emerging contradictions in society. )

What is the main conflict in the comedy "Woe from Wit"? How does this relate to a work of realism?

(The main thing in “Woe from Wit” is socio-political conflict as a reflection of all the contradictions of that time.)

Which of the comedy heroes is involved in a socio-political conflict? (Chatsky and representatives of the Famusov society.)
In the second act, we need to understand why Chatsky enters into an argument with Famusov, why a clash between Chatsky and Famusov’s Moscow is inevitable, which will occur in the next act.

The second act is full of monologues. This is understandable: before the collision, the parties set out their program.

The action begins with Famusov's monologue “Parsley, you’re always wearing new clothes...”

Why is Famusov irritated at the beginning of the monologue and why does he calm down by the end of it?

(Of course, he is not worried about the servant’s torn elbow or his reading style. Chatsky’s arrival alarmed Famusov.)

Why was Famusov so excited by Chatsky’s arrival?

(Expect only troubles and disruptions from a “tomboy.”)

How and why does Famusov’s mood change when he sits down at the calendar?

(Famusov wants to restore order by sitting down at the calendar. This is a sacred rite for him. Having started listing the upcoming tasks, he comes into the most complacent mood.)

What fills the day at Famusov?

(There will be a dinner with trout, the burial of the rich and respectable Kuzma Petrovich (while extolling him, Famusov does not mourn his death at all, and this makes his animation comic), the doctor’s christening. These are the foundations of his life - birth, food, death. Famusov is so encouraged these strong and understandable pillars of existence, which Chatsky even greets kindly.)

Does Chatsky feel Famusov’s attitude?

(Chatsky is perceptive; Famusov’s inner restlessness, hidden behind benevolent hospitality, does not hide from him)

Does Chatsky understand the reason for Famusov’s concern?

Why is Famusov, who felt that Chatsky wants to woo, so worried about this? What condition does he put forward?

(Realizing that Chatsky is ready to woo, Famusov puts forward conditions: Chatsky must serve, and most importantly, stop being “proud.”)

Why does Chatsky refuse to serve?

(“I would be glad to serve, but being served is sickening”)

What is the essence of the conflict that emerged at the beginning of the second act? Identify the positions of the disputants.

Reading monologues and discussing them.

Famusov's monologue.

What is Famusov’s worldview?

(Maxim Petrovich, a careerist, a hypocrite, a sycophant, ready to humiliate himself for his own benefit, appears as a worthy role model.)

What are the true values, according to Famusov?

(For Famusov, the regularity and orderliness of Moscow life, the strength of traditions, and the patriarchal way of life are valuable.)

Does Chatsky accept Famusov’s views on life?

(Loving Sophia, he is forced to enter into communication with Famusov, and, speaking to him, he cannot help but defend his positions, not be repelled by the morality that is imposed on him. This is how Chatsky’s monologue appears This is not an exercise in eloquence, not an attempt to “enlighten” Famusov; this is a forced and passionate defense of those principles of life that are dear to him and which he cannot refuse.)

Reading a monologue “And sure enough, the world began to grow stupid...”

What are Chatsky’s views?

(He does not accept the world of inert, conservative rules and habits; he hates the emptiness, fussiness of Moscow life, the lack of creative free thought, the cruelty of the serf owners. He is disgusted by servility and sycophancy, hypocrisy and veneration of rank.)

Before us is the beginning of another conflict (we talked about the beginning of a love conflict earlier). What is its essence?

(Let us designate the initial conflict between Famusov and Chatsky as a conflict of generations. The younger generation, in order to achieve something in life, must be guided by the ideals of their fathers - this is Famusov’s position; Uncle Maxim Petrovich is a role model.

Preaching a new way of life in Chatsky’s speeches, abandoning the ideals of the Moscow nobility.)

Whose position is preferable? Is there any truth to Famusov’s statements?

How do the behavior and intonation of speech of the characters change during the verbal conversation?
duel?

What life ideals and values ​​does each hero defend?

(The answer to this question using selected quotes is written down in a notebook.)

In the second act, the ensuing socio-political conflict only deepens? Show this with examples from the text.

An important point is the appearance of Skalozub.

Who is Skalozub? What is his outlook on life? Whose life position is closer to him? Prove your point.

(Skalozub is not much older than Chatsky, but is his difference from the “past century” so great? He is so insignificant that he is not able to understand whose side he is on in the dispute between Famusov and Chatsky.)

Find Skalozub’s remarks in the text that help us understand what kind of person he is.

(“I just wish I could become a general...” About Moscow: “distances of enormous size.” “I am quite happy with my comrades...”)

What caused Chatsky’s monologue “Who are the judges?..”?

(Hearing that they “pity” him, Chatsky cannot restrain himself from indignation.

The monologue “And who are the judges?..” was born of Chatsky’s protest: he is being handed over to Skalozub for trial!)

Reading a monologue “Who are the judges?..”

How does Chatsky pronounce this monologue?

(Restraint leaves the hero, he becomes more and more inflamed. His ardor is not completely killed by contempt. Chatsky does not understand that his speeches in response only cause irritation and fear.)

What are Political Views Chatsky? What does he not accept in his contemporary society?

(Inertia, indifference, meanness, serfdom.)

Speaking about the socio-political conflict, we completely forgot about the love conflict. Is it developing?

(Yes. Chatsky has suspicions whether Skalozub is his lucky rival. Molchalin’s fall and Sophia’s fainting seemed to finally convince Chatsky of her affection for her rival. Chatsky forgets about Molchalin - he is only busy worrying about Sophia.)

Why do you think such an intelligent young man does not fully understand what is happening?

(He is in love. The concentration of feelings and excitement do not allow him to correctly perceive what is happening, although he tries to notice everything. Despite the fact that Sophia laughs at Chatsky’s compassion and directly tells him: “What do you need me for?”, he leaves gloomy, sad, but still not yet fully ripened.)

Summarizing.

How and why does Chatsky’s mood change from the beginning to the end of the second act?

Homework.

2 Group assignment.

  • Analyze Chatsky’s monologue about the “Frenchman from Bordeaux.”
  • In relation to whom in the text of actions I - II the words “mind, smart, philosopher” are used, the same root or synonymous with them. Write out quotes.
  • Reproduce the chain: how was the gossip about Chatsky’s madness born and spread?
  • Describe Famusov’s guests at the ball, highlighting their general and individual features.

Which depicts the life of the country after Patriotic War 1812. This is life where two camps collide. The first camp is an advanced, Decembrist view, a new look at life and its foundations. The second camp is the nobility, or the past century, they are Famus society. It is precisely about the ideals of Famus society that we will talk about, having examined both their moral and life ideals.

To understand what the ideals are in Famusov’s society, to highlight their ideals and values, it is enough to get acquainted with Griboedov’s work. In it, the author, depicting the past century, creates images of noble nobles of Moscow who call themselves aces, they are also representatives of Famus society.

Life ideals of Famus society

Who is the person from this circle and what are their life ideals? Here we see only the rich, noble nobles, so to speak, the elite of the capital. They all come from noble families, and the ideals of these people are simple and clear.

For these people, only money is important, with the help of which they can get ranks and orders. These are people who are not famous for their services to the Fatherland, for them civic duty means nothing, the main thing is that the groom has a fatter wallet and then he will be a respected person. Famusov, talking about the ideals of a person, says this: be inferior, but if there are two thousand family souls, he is the groom. So, Skalozub was a good candidate for a groom, because he aims to be a general, and besides, he also has a gold bag. But if there is no money, if a person is poor, then Famus society will treat him with contempt. There is no need to talk about serfs at all, because they are not considered people at all, calling them blockheads and crowbars. Again, for the elite to respect you, you need wealth. For example, Tatyana Yuryevna is respected because she throws rich balls.

Moral ideals of Famus society

If we talk about moral ideals and views in Famusov’s society, then for Famusov his uncle is the ideal, whom he sets as an example to everyone. His uncle served under Catherine, but he received his place at court not with the help of any talents or merits. He simply sacrificed the back of his head, his neck simply bent often in bows. What’s worst is that many representatives of this environment also receive honor and wealth. The same Skolozub is no better. According to his story, in 1813 he simply sat in hiding, and after such an outstanding feat he received a medal, and now he is awaiting the rank of general.

The ideal of Famus society is definitely not enlightenment, because enlightenment and teaching are like a plague for them. People who are engaged in science and creativity are useless people for society. Famusov believes that education only harms, so he would simply burn all the books. And they themselves don’t even read newspapers.

The comedy "Woe from Wit" reflects the brewing split in noble society. The change from one century to another, the end of the War of 1812, required landowners to reassess values ​​and change their outlook on public life. In this regard, nobles appear who want to improve the position of Russia by increasing the value human personality and civic consciousness. The struggle between two groups of nobles is designated in the play as a clash of the “present century” with the “past century.” In the comedy "Woe from Wit" Chatsky and Famusov are the main opponents.

The Problem of the Mind in Comedy

A.S. Griboedov wrote about his work: “In my comedy there are 25 fools for one sane person.” By “sensible person” Griboyedov means the main character of the comedy - Alexander Andreevich Chatsky. But in the process of analyzing the work, it becomes clear that Famusov cannot be called a fool. Since Griboedov put his own thoughts and ideals into the image of Chatsky, the author finds himself completely on the side of the protagonist. However, both Chatsky and Famusov have their own truth, which each of the heroes defends. And each of them has their own mind, it’s just that Chatsky’s mind and Famusov’s mind differ in quality.

The mind of a nobleman, adhering to conservative views and ideals, is aimed at protecting his comfort, his warm place from everything new. The new is hostile to the old way of life of the feudal landowners, because it threatens its existence. Famusov adheres to these views.

Chatsky, on the other hand, is the owner of an effective, flexible mind, aimed at building a new world in which the main values ​​will be the honor and dignity of a person, his personality, and not money and position in society.

Values ​​and ideals of Chatsky and Famusov

The views of Chatsky and Famusov differ sharply on all issues related to the nobleman’s way of life. Chatsky is a supporter of education, enlightenment, he himself is “sharp, smart, eloquent,” “writes and translates well.” Famusov and his society, on the contrary, consider excessive “learning” harmful to society and are very afraid of the appearance of people like Chatsky in their midst. The Chatskys threaten Famusov’s Moscow with the loss of its usual comfort and the opportunity to spend life “in feasts and in extravagance.”

The dispute between Chatsky and Famusov also flares up around the attitude of the nobles to the service. Chatsky “does not serve, that is, he does not find any benefit in that.” The main character of the comedy explains it this way: “I would be glad to serve, but being served is sickening.” But conservative noble society is structured in such a way that without “serving” it is impossible to achieve anything. Chatsky wants to serve “the cause, not individuals.”

But Famusov and his supporters have a completely different view on the issue of service.

Famusov’s ideal is his late uncle Maxim Petrovich. He earned the respect of the empress herself because he once behaved like a buffoon at a reception. Having stumbled and fallen, he decided to turn this awkward situation to his advantage: he fell several more times on purpose to make the audience and Empress Catherine laugh. This ability to “curse the favor” brought Maxim Petrovich enormous wealth and weight in society.

Chatsky does not accept such ideals; for him this is humiliation. He calls this time an age of “submission and fear” that clamps down on human freedom. The hero’s comparison of the “present century” and the “past century” does not turn out to be in favor of the latter, because now “everyone breathes more freely and is in no hurry to fit into the regiment of jesters.”

Family values ​​of Chatsky and Famusov

The clash between Famusov and Chatsky also occurs over the divergence of their views on family values. Famusov believes that when creating a family, the presence of love is not at all important. “Whoever is poor is not a match for you,” he tells his daughter. Both in society and in the family, money is at the forefront. Wealth for Famus society is the same as happiness. Personal qualities do not matter either in the world or in the family: “Be bad, but if there are two thousand family souls, that’s the groom.”

Chatsky is a supporter of living feelings, which is why he is terrible for Famusov’s Moscow. This hero puts love above money, education above position in society. Therefore, the conflict between Chatsky and Famusov flares up.

conclusions

A comparative description of Chatsky and Famusov reveals all the meanness and immorality of Famusov and his supporters. But Chatsky’s time in the society described in the comedy “Woe from Wit” has not yet come. The main character is expelled from this environment, declaring him crazy. Chatsky is forced to retreat due to the numerical superiority of the “past century.” But he leaves Moscow not a loser, but a winner. Secular Moscow was frightened by his speeches. His truth is scary for them, it threatens their personal comfort. His truth will prevail, so the replacement of the old with the new is historically natural.

The clash between Famusov and Chatsky is a dispute between two generations, two different worlds. The arguments and causes of the conflict described in this article can be used by 9th grade students when writing an essay on the topic “Characterization of Chatsky and Famusov in the comedy “Woe from Wit””

Work test

Life ideals of Famus society

A. S. Griboedov wrote his famous comedy “Woe from Wit” in the first half of the 19th century, in the midst of preparations for the December Uprising. Revolutionary sentiments already prevailed in society. It seemed to be invisibly divided into the nobility that had formed by that time and new people bringing advanced ideas to the masses. Griboyedov himself belonged to the second camp, so the main character of the work was A. A. Chatsky.

And he condemns the established worldview of rich officials.

One of these Moscow noble landowners was Pavel Afanasyevich Famusov, in whose house the entire elite of the city gathered. Thanks to this hero, the expression “Famus society” has existed for more than two centuries. Who are the people from Famusov’s circle? All of them, without exception, come from noble families, and therefore treat people who are poorer with contempt.

They have a very prejudiced attitude towards serfs. For them they are “parsleys”, “blocks”, “crowbars”, etc. Famusov himself, addressing his workers, says: “In

Job you! You’re welcome!”

These so-called Moscow nobles boast of their patriotism, while doing nothing for the sake of the country. They didn’t even earn their ranks through gallant military service. They distort Russian names into the French style, wear dresses based on designs from foreign fashionistas, read French books, and sing French romances.

This is precisely what Chatsky condemns in them, who is unpleasant to see such false patriotism in his environment. The life ideals of Famus society can also include indifference to service and a negative attitude towards teaching. For them, people involved in science or creativity are useless subjects for society.

As Famusov says in relation to Chatsky’s “madness”: “Learning is the plague, learning is the reason that now, more than ever, there are more crazy people, and deeds, and opinions.” And everyone readily agrees with him.

To be precise, the “past” century in Griboedov’s work is represented by the families of the Tugoukhovskys, Gorichs, Khryumins, the elderly Madame Khlestova, Skalozub, Zagoretsky and Repetilov. The Tugoukhovskys come to the Famusovs’ ball to find “worthy” husbands for their daughters. The Goriches are Chatsky’s old friends, but he perceives this couple with slight irony, because Natalya Dmitrievna skillfully subjugated her husband and made him a weak-willed man.

Countesses Khryumina: grandmother and granddaughter. Chatsky especially does not like the latter for her caustic manner of remarks and imitation of French milliners. Madame Khlestova is an imperious and capricious old woman, who took with her a dog and a blackamoor girl.

A special place in comedy is occupied by Skalozub, Repetilov and Zagoretsky. The first was chosen by Famusov as a husband for his daughter Sophia, since he is rude, uneducated, uncouth, but has a good financial condition and occupies an “important” post. Zagoretsky is a former gambler, swindler and thief, and Repetilov is a thoughtless talker, who, however, was lucky to marry the daughter of a rich official. With the tacit consent of these characters, the fates of other people in the comedy are decided.

Thus, all representatives of Famus society are united by a commonality of ideals, which include inertia, lack of education, fear of progress, fear of everything that is new.


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  28. The entire action of the drama takes place in Moscow in Famusov’s house, where our character actually lives. The author does not give full description his appearance, but from small phrases we can understand that Famusov is old man, obese, loud-voiced, with hair as gray as ash “...Look at me: I don’t boast about my build, but I’m vigorous and fresh, and I lived to see [...]
  29. Chatsky Alexander Andreevich is the main character of Griboyedov’s comedy “Woe from Wit”. Returning to his homeland, to Famusov’s house, where he once met his first love, he hopefully tries to return the feelings of Sophia, who by that time no longer loved him. Having encountered lies, deceit, hypocrisy, and lack of education on his way, he furiously begins to express his opinion about […]...
  30. 1. Moscow “society” values ​​​​its nobility and reliably protects serfdom ideals. Griboyedov emphasizes the cruelty of landowners towards serfs. “Strangers” - Molchalin, Zagoretsky - must be hypocritical, please, pretend. 2. Representatives of Famusovskaya Moscow view service as a means of “getting rank,” “winning awards and having fun.” 3. The main human value in the Moscow world is the “golden bag”, and […]...
  31. The main characters of the comedy “Woe from Wit” are Chatsky and Famusov. A. S. Griboyedov shows the clash between Chatsky’s mind and the stupidity of Famus society. Famus society is characterized by deceit, stupidity, ignorance and unwillingness to overcome its shortcomings. This is proven by many comedy episodes. The main ideologist Famusov says: Tell me that it’s not good for her to spoil her eyes And reading is of little use: She […]...
  32. The heroine of Griboyedov’s play “Woe from Wit” Sophia is presented in the work quite ambiguously. Her image is indeed contradictory. What is this contradiction? On the one hand, she was greatly influenced by the environment in which her ideals were formed. She was raised by the Famus society and largely learned the rules of life and behavior of this world. One of these ideals is “a husband-boy, [...]
  33. The main topic the play “Woe from Wit” is a conflict strong personality with the philistine views of the surrounding society. This is most clearly shown in the example of Famusov’s house. Chatsky came into the silence of this house with his stormy and sincere feelings. He turned out to be uninvited guest in a society where everything is built on pretense and lies. Sophia hides her love for Molchalin, father […]...
  34. In what ways do the views on life of Chatsky and the “Famus society” differ? Describe the social and moral ideals of various heroes. The outright immorality of the opportunistic bureaucrat Molchalin, the lack of spirituality of the “silovik” Skalozub - all this is a Russian reality that the official, military man and thinker Griboyedov knew from the inside. He also knew the “imported” romantic ideas with which Chatsky, who returned from abroad, was filled with them. The writer gives them their due, shows [...]
  35. In his monologue, Chatsky touches on many issues of 19th century society. At the beginning of the monologue, Chatsky talks about old judgments, that people’s worldview has still not changed “since the time of the Ochakovskys and the conquest of the Crimea.” Further, he points out the incorrect moral values ​​of “Famus society”, saying that the rich gain wealth by stealing and silence all those […]...
  36. It is no coincidence that A. S. Griboedov chooses Famusov’s last name. In Latin, “fama” sounds like “rumor,” and “famosus” means “famous” in Latin. Knowing this, every reader understands from the first lines of the work that we are talking about an important person occupying a high position in society. A titled landowner, a rich gentleman, related to the eminent nobleman Maxim Petrovich, Pavel […]...
  37. The characters of Chatsky and Molchalin are opposed to each other. Chatsky, undoubtedly main character comedy, because it was with his appearance that events began to develop in Famusov’s house. Chatsky is not a rich man by origin, but this is not the main thing for him. Others speak well of him: “Who is so sensitive and cheerful and sharp...” He used to serve as an official, but left the service […]...
  38. Chatsky comes to Moscow, hoping for big changes in society, and for Sophia to remain the same. But he finds himself in a completely different situation. Sophia turned everything that happened into laughter, but in the city everything remained unchanged. Chatsky does not immediately notice the change that has happened to Sophia. For her sake, after so many years, he came to Moscow, which never attracted him, [...]
  39. The comedy “Woe from Wit” by Griboedov initially had a frivolous, comedic character. But at the end of the work it becomes clear that it is dramatic and carries a deep meaning. The expression “woe from wit” sounds somewhat paradoxical, because what grief can there be from the fact that a person is smart and educated? But it turns out that it can! And Alexander Sergeevich Griboyedov is excellent [...]
  40. Griboyedov wrote his comedy over several years. The author carried out tireless monitoring of the development trends of society and its aspirations. The result of these observations was the writing of the brilliant work “Woe from Wit,” reflecting the interaction and contradiction of representatives of such worlds as the minions of feudalism and the progressive nobility. Defenders of serfdom cannot come to terms with the fact that the time of slavery has passed […]...
Essay on the topic: Life ideals of the Famusov society in the comedy Woe from Wit Griboyedov

How does Molchalin reveal himself during a dialogue with Chatsky? How does he behave and what gives him the right to behave this way?

Molchalin is cynical and frank with Chatsky regarding his life views. He talks, from his point of view, with a loser (“Were you not given ranks, have you had no success in your service?”), gives advice to go to Tatyana Yuryevna, is sincerely surprised by Chatsky’s harsh reviews about her and Foma Fomich, who “was the head of the department under three ministers.” " His condescending, even instructive tone, as well as the story about his father’s will, are explained by the fact that he does not depend on Chatsky, that Chatsky, for all his talents, does not enjoy the support of Famus society, because their views are sharply different. And, of course, Molchalin’s success with Sophia gives him considerable right to behave this way in a conversation with Chatsky. The principles of Molchalin’s life may seem only ridiculous (“to please all people without exception”, to have two talents - “moderation and accuracy”, “after all, you have to depend on others”), but the well-known dilemma “Is Molchalin funny or scary?” in this scene it is decided - scary. Molchalin spoke and expressed his views.

What are the moral and life ideals of Famus society?

Analyzing the monologues and dialogues of the heroes in the second act, we have already touched on the ideals of Famus society. Some principles are expressed aphoristically: “And win awards and have fun,” “I just wish I could become a general!” The ideals of Famusov's guests are expressed in the scenes of their arrival at the ball. Here Princess Khlestova, knowing well the value of Zagoretsky (“He’s a liar, a gambler, a thief / I even locked the door from him ...”), accepts him because he is “a master at pleasing” and got her a blackaa girl as a gift. Wives subjugate their husbands to their will (Natalya Dmitrievna, a young lady), the husband-boy, the husband-servant becomes the ideal of society, therefore, Molchalin also has good prospects for entering this category of husbands and making a career. They all strive for kinship with the rich and noble. Human qualities are not valued in this society. Gallomania became the true evil of noble Moscow.

Why did gossip about Chatsky’s madness arise and spread? Why do Famusov’s guests so willingly support this gossip?

The emergence and spread of gossip about Chatsky's madness is a very interesting series of phenomena from a dramatic point of view. Gossip appears at first glance by chance. G.N., sensing Sophia’s mood, asks her how she found Chatsky. "He has a screw loose". What did Sophia mean when she was impressed by the conversation with the hero that had just ended? It’s unlikely that she put any direct meaning into her words. But the interlocutor understood exactly that and asked again. And it’s here that an insidious plan arises in the head of Sophia, offended for Molchalin. Of great importance for the explanation of this scene are the remarks to Sophia’s further remarks: “after a pause, she looks at him intently, to the side.” Her further remarks are already aimed at consciously introducing this thought into the heads of secular gossips. She no longer doubts that the rumor started will be picked up and expanded into details.

He is ready to believe!

Ah, Chatsky! you love to dress everyone up as jesters,

Would you like to try it on yourself?

Rumors of madness spread with astonishing speed. A series of “little comedies” begins, when everyone puts their own meaning into this news and tries to give their own explanation. Someone speaks with hostility about Chatsky, someone sympathizes with him, but everyone believes because his behavior and his views are inadequate to the norms accepted in this society. These comedic scenes brilliantly reveal the characters that make up Famus’s circle. Zagoretsky supplements the news on the fly with an invented lie that his rogue uncle put Chatsky in the yellow house. The countess-granddaughter also believes; Chatsky’s judgments seemed crazy to her. The dialogue about Chatsky between the countess-grandmother and Prince Tugoukhovsky is ridiculous, who, due to their deafness, add a lot to the rumor started by Sophia: “damned Voltairian”, “overstepped the law”, “he is in the Pusurmans”, etc. Then the comic miniatures are replaced by a mass scene (act three, scene XXI), where almost everyone recognizes Chatsky as a madman.

Explain the meaning and determine the significance of Chatsky’s monologue about the Frenchman from Bordeaux.

The monologue “The Frenchman from Bordeaux” is an important scene in the development of the conflict between Chatsky and Famus society. After the hero had separate conversations with Molchalin, Sofia, Famusov, and his guests, in which a sharp opposition of views was revealed, here he pronounces a monologue in front of the entire society gathered at the ball in the hall. Everyone has already believed the rumor about his madness and therefore expects clearly delusional speeches and strange, perhaps aggressive, actions from him. It is in this spirit that Chatsky’s speeches are perceived by the guests, condemning the cosmopolitanism of noble society. It is paradoxical that the hero expresses sound, patriotic thoughts (“slavish blind imitation”, “our smart, cheerful people”; by the way, condemnation of gallomania is sometimes heard in Famusov’s speeches), they take him for a madman and leave him, stop listening, diligently spin in a waltz , old people scatter around the card tables.